This exhibition was made up of 14 detailed oil paintings, many of which were hung at an angle. Being hung at an angle must of been a way to draw attention to them. The angled paintings were defiantly the ones I noticed first, it is almost as if he wants you to read them in an order to make a story. Although I noticed the angled ones first by the end I was much more drawn the the colour and detail in some of the others.
Above left titled: Sinners, 2012 (detail), Oil on canvas, 225 X 225cm
I initially found his work drew me in as I walked into the white open space and although quite liked it had very little idea about the concept about it. While doing research on Matt Collishaw's exhibition I came across this film of him speaking about it which helped me understand his work much more.
http://www.blainsouthern.com/artists/mat-collishaw/multimedia/7
This quote from the Blain Southern gallery about Collishaw's work '... nothing is literal; the primary source material - magnified images drawn from the pages of glossy magazines - is a simple metaphor,..' reminded me about a lecture we had about Metaphors and Allegory and it is only now while writing this review the reason of having that lecture has become clear.
Metaphor: Representation that is symbolic of something else but does not literally apply.
Allegory: A story with hidden meaning not just the literal one.
Metaphors and Allegories are something that are used within every piece artwork as they always have more then meets the eye and it takes a lot to understand the concept of it. I know realize how helpful this lecture was as it helps us look at artwork as more then 'nice', everything has a reason for its making.
The first thing I wanted to know was the reason behind the title of this exhibition,'This is not an exit' which my first thought was there is no escape which is part of what he was trying to say and in fact he actually got the name of his exhibition from a film made in 2000 called 'American Psycho' when the man realizes there is no escape. Collishaw really emphasized no escape by creating illusionistic paintings which give potential to feel escapism into another world but its a flat surface.The scale of his paintings played a significant part to this as they were very large scale it helped you lose yourself in them which creates a field of void.
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